"The Looking Glass Murders" is an obscure, shot on video, made for Scottish TV version of the mime improv play "Pierrot in Turquoise," which Lindsey Kemp and David Bowie first staged in 1967. Pierrot is a freaky mime who ventures into a mirror where he falls in love and rolls around with the equally grotesque Columbine. But when Columbine beds black stallion (in half-assless spandex) Harlequin, Pierrot's jealousy takes over and drives him to murder. Cloud watches over the proceedings from his perch (on a ladder!) and narrates in song. "Weird" doesn't begin to describe this one. It begins and ends with a man playing piano, but no sound is emitted. The sparse production doesn't betray its theatrical roots -- there's a grand total of two sets and they make no attempt to disguise the fact they're thrown together on stages. While I've never found mimes as unsettling as most, the trio in this film are REALLY creepy. And although it has a short running time of 26 minutes, it's so tediously strange and surreal that it felt like it was three hours long. When it comes to films I'm a bit of a masochist, opting for the strange, bizarre and reviled, but this one was almost too weird for me.

A robbery is prevented by an undercover art dealer pretending to be a criminal. Edited from TV series, The Baron.

Dorian Gray is but a boy, yet he's worshipped as a God - by the closeted painter who immortalized his beauty, by the libertine who taught him all of the world's secret pleasures, and by himself. For the next one hundred years, Dorian Gray falls into a rabbit-hole of debauchery, remaining forever young while his portrait pays the price for each of his sins. But when crimes of decades past come back to haunt him, and the novelty of everlasting youth starts taking its toll, can his soul still be redeemed?

A new series of fictional and nonfictional short subjects called which focuses around thought, emotion, passion and “on the moment“ behavior.

This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.

Lost trick film

Alice returns to Wonderland through the looking glass in this TV musical.

1973 BBC TV movie adaptation of the book by Lewis Carroll.

The Looking Glass is a critically acclaimed solo voyage around 30-something womanhood in the 21st century, as perceived through the glittering telescope that is Celia’s breathtakingly funny hyperacuity.

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